From this point of view, even if the project is intended to generate new sonnets, it is largely based on the development of analysis tools able to identify the scansion, the rhyme and the structure of the original sonnets. The challenge is thus more complex than the one proposed originally by Queneau since our sonnets do not have the same scansion and rhyme. To overcome this problem, we developed the Oupoco project, aiming at proposing a sonnet generator based on the recombination of a large collection of 19th century French sonnets. It would be tempting to develop a computer-based version of Queneau’s work, but Queneau’s book is still under copyright, and it is by definition limited to its ten original sonnets. The ten versions of each verse have the same scansion and rhyme, which ensures that each sonnet thus assembled is regular in shape. The reader can choose, for each verse, one of the ten versions proposed by Queneau. The book can be seen as composed of ten sheets, each separated into fourteen horizontal bands, each band carrying a verse on its front.
Queneau’s book is a collection of ten sonnets which verses can be freely recombined to form new poems. Tip: This customary ‾ x final foot makes it possible to work backward from the last two syllables if the passage is tricky.Oupoco ( L’ouvroir de poésie combinatoire) is a project taking inspiration from Raymond Queneau's book Cent mille mille milliards de poèmes, published in 1961. ô-rîsOne extra bonus is that it doesn't matter whether the final syllable is long or short.What we have left is the same pattern we saw for the 3rd and 4th feet, two longs: prî-mus ab We just need one more syllable to make the 6 dactyls of a line of dactylic hexameter.iae quî and then prî becomes the long syllable in a regular dactyl:.The long, long syllable is called a spondee, so technically, you should say that a spondee can substitute for a dactyl. (Mind you, you can't use two shorts for the start of a dactyl.) Therefore, a dactyl can be long, short, short, or long, long and that's what we've got.
One long syllable is the equivalent of 2 shorts. It's all long syllables: nô, Trô- iae quî prî Have no fear. No problem so far, but then look what comes next. rum-que ca-The second foot is just like the first.It looks as though the second foot is as simple as the first: The next and all succeeding feet begin with a long syllable as well. You should put a line (|) after it to mark the foot's end. (If you aren't bolding the long syllables, you should mark the shorts, perhaps with a υ, and mark the longs with a long mark ‾ over them: ‾υυ.) This is the first foot. Ar-ma vi-You may put short marks over the 2 short syllables.Extra Linguistic Information: The counts as aspiration or rough breathing in Greek, rather than a consonant. When a word ends in a vowel or a vowel followed by an m and the first letter of the next word is a vowel or the letter "h", the syllable ending in a vowel or an "m" elides with the next syllable, so you don't mark it separately.Extra Linguistic Information: The consonants and are called liquids and are more sonorant (closer to vowels) than stop consonants and. When the l or r is the first consonant, it counts towards the position. When the second consonant is an l or an r, the syllable may or may not be long by position.For qu and sometimes gu, the u is really a glide sound rather than a vowel, but it doesn't make the q or g into a double consonant.They are the equivalent of the Greek letters Chi, Phi, and Theta. However, ch, ph, and th do not count as double consonants.
Extra Linguistic Information: The 2 consonant sounds are and for X and and for Z. A syllable that ends in X or (sometimes) Z is long by position because X or (sometimes) Z counts as a double consonant.Those syllables in which the vowel is followed by two consonants (one or both of which may be in the next syllable) are long by position.
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